It is no secret that I love Eleanor Davis. When I discovered that she'd
be making a mini of her pieces for the most recent Giant Robot Post-It show I felt the gimme-gimmes overtake me.
I rarely allow myself to submit to such clammy passions, but it seemed a win-win situation. Sure the black of the stapled spine is already creasing away and there are a few unexpected blank pages, but considering that a pencil drawing of baby by Davis was included--like a best and most unexpected autograph--this $5 treat is all-ok with me.
Davis' usual botanical flourishes are a lush and almost furtive presence in these small, black and white drawings. It is almost as if the branches, leaves, flowers and berries want to distract the viewer from the things that the human figures are doing to one another, or sometimes the things that they refuse to do.
Some drawings are subtly heartbreaking >>> |
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Some are so sweet that you let out a breathe that you didn't know that you were holding in >>> |
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One of the things that draws me again and again to Davis' work is the way pain and hope are entwined in even her simplest images. You can feel the struggle to find answers to why we should persist. She often focuses on sex, love and the body and, unsurprisingly, all of those themes are present in 31 DRAWINGS THAT HAVE SOMETHING TO DO WITH BEING IN LOVE AND NOT BEING IN LOVE. Sometimes, especially in her sketchbook work, anger or disgust with, well, human beings, comes through first, but instead of feeling like a reminder of horrors, there is an interrogation of relationships that challenges and inspires me.
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