|Salty sailors Kenan Rubenstein and Neil Brideau|
|Three Armed Squids Kim Ku, Alexandra Beguez and Alden Viguilla. Their tablemate, Estrella Vega, is unpictured because I apparently don't know how to use a camera. I remembered Kim and Alexandra from the SVA table last year and was happy to see all their new stuff.|
|Prism Index, editor Jeffery Bowers, handmade paper, music, movies, and a vast collection of conch shells. Jeffery told me that I looked miserable which is always nice to hear.|
|CCS castaways Denis St. John, Matt Aucoin and ???|
|Idiot's Books' co-captain Robbi Behr.|
|Alabaster sails into the storm with The Complete Talamaroo.|
|The Hic & Hoc table, helmed by Matt Moses. His triton is hidden. Guess where!|
|Jensine Eckwall, Lily Padula, ????, Lindsey Richter were gracious, for sea witches.|
|MariNaomi, one of my favorite crew members of The Rumpus, signs my book and makes me feel like a million pirate golds.|
|Box Brown, with booty from the holds of Retrofit Comics.|
Requisite (and terrible) crowd shots:
Caravan of Comics and I popped in long enough to check out Mandy Ord's books and buy her collection, Sensitive Creatures. I wish I had been able to spend more time at the Caravan since meeting authors from other places is one of my main reasons to go to shows. I was happy to pick up two Retrofit comics that came out before my subscription started. By the time I made it all the way to the right of the space, I couldn't afford any Nordic beauty, but it was cool to see the contingent present again this year.
The show felt more attuned to my interests than last year, which meant I spent a ton of money. There seemed to be fewer melting neon faces in the mix but perhaps my rose-colored glasses were acting up. Hooray! But the usual looming question still hung heavy on the day: who is making money at this thing? The price of tables needs to go down and/or the door fee has to go. More attendees and more, and more relaxed, contributors could only make the show better. With a venue like the Armory, walk-ins could be an powerful audience--especially with an extra 15 or so dollars in their pocket. I know that the fest is in fact a benefit for the MoCCA museum, but as I said last year, the high price of doing MoCCA might feel a better value if they actually did a much higher ratio of programming highlighting the small press comics community.